Sub Rosa / Sex in the Art Gallery

Getting back to last season’s exhibitions, here’s some coverage of Shannon Novak’s Sub Rosa. The exhibition occupied the Open Window space of the Govett-Brewster and interior spaces leading to the public bathrooms in the gallery.

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Courtesy of Shannon Novak

Documentation of the exhibition can be seen at Novak’s website.

Pantograph Punch published a great essay by Francis McWhannell on Sub Rosa which you read here. McWhannell will be speaking soon at the Govett-Brewster as part of our Monica Brewster Evening series with the talk In search of intimacy – a photograph by Paul Johns. Details here.

Here’s one of the tracks that Novak used in the installation.

New season’s exhibitions

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Introducing Mikala Dwyer’s Earthcraft, credit Alessandra Keighley

On 6 April the Govett-Brewster launched a new season of exhibitions including Mikala Dwyer’s Earthcraft (curated by Sarah Wall), Nicolás Paris’ what connects us (curated by Sarah Wall), Suspended Agency: An installation by Peter Wareing (curated by Mark Williams, Circuit), He Rere Ke – Different Pathways (curated by Gabrielle Belz) and several projects under my curation – Shannon Novak’s Sub Rosa and two Len Lye exhibitions, No Trouble and Art That Moves (co-curated with Emma Glucina).

I’ll follow up on each of these in more detail in the coming weeks. For now, here are a couple this week’s radio interviews concerning two projects. First, artist and curator Gabrielle Belz talking about her Open Collection project with us, He Rere Ke – Different Pathways. Second, Peter Wareing in conversation with Lynn Freeman around his new installation Suspended Agency.

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Peter Wareing Suspended Agency 2019, courtesy the artist