New season’s exhibitions

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Introducing Mikala Dwyer’s Earthcraft, credit Alessandra Keighley

On 6 April the Govett-Brewster launched a new season of exhibitions including Mikala Dwyer’s Earthcraft (curated by Sarah Wall), Nicolás Paris’ what connects us (curated by Sarah Wall), Suspended Agency: An installation by Peter Wareing (curated by Mark Williams, Circuit), He Rere Ke – Different Pathways (curated by Gabrielle Belz) and several projects under my curation – Shannon Novak’s Sub Rosa and two Len Lye exhibitions, No Trouble and Art That Moves (co-curated with Emma Glucina).

I’ll follow up on each of these in more detail in the coming weeks. For now, here are a couple this week’s radio interviews concerning two projects. First, artist and curator Gabrielle Belz talking about her Open Collection project with us, He Rere Ke – Different Pathways. Second, Peter Wareing in conversation with Lynn Freeman around his new installation Suspended Agency.

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Peter Wareing Suspended Agency 2019, courtesy the artist

Weekend Reading

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Len Lye, ‘W. H. Auden’, 1947
Len Lye Foundation Collection, Govett-Brewster Art Gallery / Len Lye Centre

This week we celebrate W. H. Auden’s birthday. Here’s Hannah Arendt’s 1975 New Yorker piece on the poet and above is Len Lye’s 1947 photogram portrait of Auden. The portrait includes lines from Auden’s The Fall of Rome (in his own hand). You can find all of Lye’s photogram portraits in this publication, including Georgia O’Keeffe, Joan Miró, Hans Richter, Le Corbusier and Baby Dodds.

The Times Literary Supplement recently published Genevieve Yue’s Secret asphyxiating world: Films and the watery depths, a review of Erika Balsom’s An Oceanic Feeling: Cinema and the SeaYou’ll need to be a subscriber to the TLS to read online. The book can be purchased online via the Govett-Brewster in New Zealand or LUX in the UK.

Artist Shannon Novak has been interviewed about his thoughts on the Govett-Brewster Art Gallery with Home magazine. Shannon will be exhibiting in the next season of exhibitions (April – July 2019) at the Gallery with Sub Rosa.

A few weeks back I was interviewed for a Taranaki Daily News article about the Gallery’s screening of The Room (dir. Tommy Wiaeau), one of the stranger media moments I’ve experienced.

Reading about the downfall of New York art dealer Mary Boone I was directed to this interesting piece about her fellow dealer Leo Castelli.

An Oceanic Feeling continued

Here’s an update on the first in the STATEMENTS series of essays, An Oceanic Feeling: Cinema and the Sea by Erika Balsom. Apollo magazine featured Balsom in their 2018 40 under 40 list and recently followed with this audio interview covering the book withing a discussion of Balsom’s wider work with film. Click the image below to purchase a copy of An Oceanic Feeling from the Govett-Brewster Art Gallery shop or from LUX if you are in the UK/Europe.

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We’re presently working on the second in the STATEMENTS series, written by Caleb Kelly and edited by Sarah Wall.

Summer exhibitions and 2019 …

Last week I spoke at the opening of our new suite of exhibitions, a rather large suite featuring Haegue Yang’s first exhibition in Aotearoa, Triple Vita Nestings (touring from the IMA in Brisbane), Maureen Lander’s Flat-pack Whakapapa (touring from the Dowse Art Museum), new works from Richard Maloy and Jacqueline Elley and two new Len Lye exhibitions. This all wraps up 2018 and carries us through to 2019.

Here’s this week’s e-flux announcement of highlights from our 2019 programme.

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Credit: Mark Dwyer

The evening was also time to celebrate the work of Peter Peryer (1941-2018) who passed away in November. We arranged a small exhibition of Peter’s work for the summer season. The Govett-Brewster has a modest number of works in its collection which you can browse here. I’ll write more on Peter’s work in the coming weeks.

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Two easy pieces

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Credit: Kelly Loney

Here’s a couple of recent pieces from the Pantograph Punch.

First, Alice Tappenden interviews me on my role of Len Lye Curator at the Govett-Brewster Art Gallery / Len Lye Centre.

Second,  Doug Dillaman discusses our recent An Oceanic Feeling projects with Erika Balsom alongside our wider film programming at the Govett-Brewster.

Volcanic Artist Residency

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I recently spent a week in Whakatāne participating in Wakatāne Museum’s Volcanic Artist Residency programme. Given I’m not an artist I elected to use the residency as an opportunity to present a screening of the Govett-Brewster’s current Projection Series.

Projection Series #11: An Oceanic Feeling is curated Erika Balsom and is itself an outcome of the Govett-Brewster’s Internation Film Curator in Residence Programme. Balsom curated a programme of 11 films asking the question: what if we understood the ocean not as dividing us but as connecting us? What politics, what ethics, would follow? You can see the full programme here. It includes films by Peggy Ahwesh (US), Noël Burch (US) and Alan Sekula (US), CAMP (IND), Filipa Cesar (POR) and Louis Henderson (UK), Mati Diop (FR), The Otolith Group (UK), Maddie Leach (NZ), Rebecca Meyers (US), Philip Scheffner (DE), G. Anthony Svatek (US/AT), Francisco Rodriguez (CL/FR).

You can download a copy of the brochure for Projection Series #11: An Oceanic Feeling here or purchase a copy of the larger publication here.

It was an early hope for the project that we could screen at coastal venues in New Zealand cities other than New Plymouth so the invitation to Wakatāne was timely and a good way to expand the scope of An Oceanic Feeling. 

A big thank you and congratulations to Eric  Holowacz and his team in Wakatāne for the sell-out audience and raising funds for Eastern Bay of Plenty Coast Care. Next week we present a selection of films from An Oceanic Feeling as we launch the book in Auckland at Te Uru Waitakere Contemporary Gallery in partnership with Circuit: Artist Film and Video Aotearoa New Zealand.